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Jumat, 03 Juni 2016

♋ View 10 Cloverfield Lane Movie 2016

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A young woman wakes up after a terrible accident to find that she's locked in a cellar with a doomsday prepper, who insists that he saved her life and that the world outside is uninhabitable following an apocalyptic catastrophe. Uncertain what to believe, the woman soon determines that she must escape at any cost.

About 10 Cloverfield Lane

Artist : Josh Campbell, Matthew Stuecken
As : Mary Elizabeth Winstead, John Goodman, John Gallagher Jr
Title : ♋ View 10 Cloverfield Lane Movie 2016
Release date : 2016-03-11
Movie Code : 1179933
Duration : 110
Category : Drama, Mystery, Sci-Fi, Thriller

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Name : Steven Rea / Alias : Philadelphia Inquirer
Thumpingly exhilarating .

Name : Michael O'Sullivan / Alias : Washington Post
Goodman's performance, while unhinged, never veers into caricature. Similarly, Winstead avoids the cliche of the tank-top-wearing bimbo/victim, bringing an earthy self-reliance to her role.

Name : Stephanie Zacharek / Alias : TIME Magazine
Not an outright Cloverfield sequel but rather, as Abrams has put it, a "spiritual successor." It's also a better movie, one with a sense of humor about itself and its genre.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The point of this precisely crafted film is psychological possibility. It creates a kind of Hitchcockian thriller where uncertainty soaks the story and spreads across the atmosphere like blood on a shirt.

Name : Will Leitch / Alias : The New Republic
The horrors of that bunker far outweigh anything that could be waiting for them outside. Sometimes what is right in front of you is plenty terrifying enough.

Name : Justin Chang / Alias : Variety
A sensationally effective semi-sequel that bears virtually no narrative or stylistic resemblance to its predecessor .

Name : Adam Graham / Alias : Detroit News
Winstead gives a strong performance as a captive who never gives up her fight. Goodman strikes a fine balance between nurturing caregiver and frightening captor, even if, to the detriment of the story, his end game is never really made clear.

Name : Jocelyn Noveck / Alias : Associated Press
Trachtenberg scares the wits out of us a few times, and then he launches into a climax that will have many talking - though I found it somewhat disappointing, a little predictable, and frustratingly baffling. But you might love it.

Name : Stephen Whitty / Alias : Newark Star-Ledger
I sure hope there's an "11 Cloverfield Lane."

Name : Peter Howell / Alias : Toronto Star
From its Hitchcock opening to its eye-popping ending, Dan Trachtenberg's feature debut keeps us wondering about what's really going on, even as we root for Mary Elizabeth Winstead's spunky entrapped protagonist.

Name : A.A. Dowd / Alias : AV Club
There's a fine, nerve-jangling little psychological thriller here. Pity it couldn't have been allowed to just be that.

Name : Barry Hertz / Alias : Globe and Mail
This is a work of immense confidence, and the restraint Trachtenberg asks of his leads is remarkable - Winstead and Goodman quietly excel in what could have easily been wild, loud caricatures.

Name : James Berardinelli / Alias : ReelViews
Take away the disappointing, disjointed, and anti-climactic final act, and this is an effective white-knuckle psychological thriller.

Name : Bill Goodykoontz / Alias : Arizona Republic
Trachtenberg is patient building this world, and the actors do a good job inhabiting it.

Name : Soren Anderson / Alias : Seattle Times
Rather than something truly wild and way, way off the wall, "10 Cloverfield Lane" is a variation on the "don't go down into the basement" school of scary moviemaking, only this time with a 180-degree twist.

Name : Amy Nicholson / Alias : MTV
Great publicity, dumb move. The title alone is a spoiler.

Name : Chris Nashawaty / Alias : Entertainment Weekly
It's lean, and taut, and tense, and moves with Swiss-clock precision. Still, it's not as scary as you want it to be.

Name : Richard Brody / Alias : New Yorker
Trachtenberg . smothers the action in showy camera work and an overly insistent music score. But, as the mystery unravels, he reveals flashes of a giddily hyperbolic pop imagination.

Name : Joshua Rothkopf / Alias : Time Out
Producer J.J. Abrams, a brilliant marketer, has to eventually open his "mystery box," and the intelligence plummets. Never mind that. Go anyway and watch the arrival of the mighty Winstead, who'd do fine in a Room of her own.

Name : Rafer Guzman / Alias : Newsday
"10 Cloverfield Lane" is as economical as a stage play but packs in plenty of visceral violence and visual surprises. Whether you've seen the first film or not, this one is a thoroughly entertaining treat.

Name : Michael Phillips / Alias : Chicago Tribune
Goodman's very good, taking care of job one, which is to keep us guessing Howard's intentions. And Winstead is even better, within the parameters of this genre mashup.

Name : Mara Reinstein / Alias : Us Weekly
For the love of Google, don't scour the web for third-act spoilers. Just know that an old-fashioned scary movie can still make you squirm, laugh and gasp for air.

Name : Rene Rodriguez / Alias : Miami Herald
Tamp down those expectations, then tamp them down some more.

Name : Sara Stewart / Alias : New York Post
Winstead also makes a terrific heroine; her character is a problem-solver, not a freaker-outer, and it's a stressful sort of fun watching her devise one plan after another to get around Howard's creepy patriarchal rules.

Name : Steve Tilley / Alias : Toronto Sun
The more you know about it, the less fun it will be.

Name : Alonso Duralde / Alias : TheWrap
Even if this tale might have been better served as a 40-minute short than as a full-length movie, first-time feature director Dan Trachtenberg has cast a trio of actors at the top of their game, and they elevate the material.

Name : Justin Lowe / Alias : Hollywood Reporter
Although some may miss the immediacy of a rampaging kaiju destroying everything in its path, this is an entirely different breed of movie that's potentially even more effective for its shift in style and tone.

Name : Mick LaSalle / Alias : San Francisco Chronicle
At one point, this movie had me so on edge that I had a fleeting impulse to run out of the theater. It might be weird to say that and mean it as a compliment, but good thrillers work that way sometimes.

Name : David Edelstein / Alias : New York Magazine/Vulture
10 Cloverfield Lane does what it needs to do: make you sit and squirm and want very badly to know. It has the appeal of suspense radio plays from the '30s and '40s and even a touch of Orson Welles's most infamous Mercury Theater broadcast.

Name : Mark Olsen / Alias : Los Angeles Times
It is designed to be fun, efficient and accessible and delivers precisely and exactly on that and nothing more.

Name : Alan Scherstuhl / Alias : Village Voice
As a gamelike, simulationist PG-13 horror chamber piece, 10 Cloverfield Lane is a success: well shot and -staged, arrestingly acted, edited with a crisp unpredictability.

Name : Peter Travers / Alias : Rolling Stone
the movie comes loaded with everything a psychological thriller needs to shatter your nerves - and then kicks it up a notch.

Name : Matthew Lickona / Alias : San Diego Reader
Just serviceable bunker thriller that asks the question, "Would you want to survive The Big One if it meant being stuck [underground] with the kind of guy who spent his life preparing to survive The Big One?"

Name : Jeannette Catsoulis / Alias : New York Times
A master class on narrative pacing and carefully managed jolts.

Name : Bill Zwecker / Alias : Chicago Sun-Times
Unpredictability in cinema is frequently a missing element - especially when we're talking about movies that fall into the horror or science-fiction genres. With 10 Cloverfield Lane, there is no such problem. Trust me.

Name : Scott Tobias / Alias : NPR
Trachtenberg and his screenwriters, Josh Campbell and Matthew Stuecken, take advantage of the shelter's tight quarters, which contribute to the expected pressure-cooker atmosphere of suspicion and hostility but also open up the punch-drunk comedy .

Name : Ethan Sacks / Alias : New York Daily News
The best reveal of "10 Cloverfield Lane" is that the script from Josh Campbell, Matthew Steucken and Damien Chazelle ("Whiplash") is strong enough to have made a compelling stageplay instead of a creature feature.

Name : Brian Truitt / Alias : USA Today
A well-crafted affair by debuting director Dan Trachtenberg that mixes elements of an intimate stage play with the white-knuckled tension of a cracking good Twilight Zone episode.

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Kamis, 23 Oktober 2014

Gold Cinemark

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The epic tale of one man's pursuit of the American dream, to discover gold. Kenny Wells, a modern day prospector desperate for a lucky break, he teams up with a similarly eager geologist and sets off on an amazing journey to find gold in the uncharted jungle of Indonesia. Getting the gold was hard, but keeping it would be even harder, sparking an adventure through the most powerful boardrooms of Wall Street. The film is inspired by a true story.

About Gold

Artist : Matthew McConaughey, Edgar Ramirez, Bryce Dallas Howard, Corey Stoll, Toby Kebbell
As : Kenny Wells, Michael Acosta, Kay, Brian Woolf, Jennings
Title : Gold Cinemark
Release date : 2016-12-25
Movie Code : 0071566
Duration : 90
Category : Drama

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Comment For Gold Regarder Film

Name : Ken Jaworowski / Alias : New York Times
Approaching the story for the traditional trappings - narrative, action, even logic - is to ensure disappointment. But look to it for beauty and lyricism, and you may find a deeper satisfaction.

Name : Roger Ebert / Alias : Chicago Sun-Times
The movie is a little tired; maybe the original inspiration has run its course.

Name : Glenn Lovell / Alias : San Jose Mercury News
A 14-carat stinker, delivered with little sense of fun and less inspiration.

Name : Dennis Lim / Alias : Village Voice
Star/writer Mike Myers and director Jay Roach struggle visibly with exhausted possibilities and diminishing returns.

Name : Moira MacDonald / Alias : Seattle Times
Not much else in this third Austin Powers sequel is new or memorable.

Name : Mark Olsen / Alias : L.A. Weekly
Myers' puppy-dog tenacity to that cast-iron tenet of low comedy, disarming and even somewhat charming in the first film, now has an air of careerist desperation about it.

Name : Tom Maurstad / Alias : Dallas Morning News
Watching Austin Powers in Goldmember is like binging on cotton candy. It's sweet and fluffy at the time, but it may leave you feeling a little sticky and unsatisfied.

Name : Jonathan Foreman / Alias : New York Post
Uneven, self-conscious but often hilarious spoof.

Name : Ty Burr / Alias : Boston Globe
The most consistently funny of the Austin Powers films.

Name : James Berardinelli / Alias : ReelViews
Qualities that were once amusing are becoming irritating.

Name : Michael Rechtshaffen / Alias : Los Angeles Times
At its most absorbing, Lasseter's story plays like an Aussie Treasure of the Sierra Madre, in which the main subject is a bit of a cypher whose true nature proves to be as difficult to pinpoint as that elusive gold.

Name : Desson Thomson / Alias : Washington Post
One-ups the Austin Powers sequel that came before it.

Name : Steven Rosen / Alias : Denver Post
With so many impersonations to keep track off, director Jay Roach winds up moving between Myers and Myers so often that the editing feels like a crude cut-and-paste job.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Goldmember delivers.

Name : Jeff Strickler / Alias : Minneapolis Star Tribune
The third installment in the series of super-spy spoofs, it's handcuffed by the ever-increasing load of baggage it carries.

Name : Kirk Honeycutt / Alias : Hollywood Reporter
The misses outweigh the hits by a wide margin.

Name : Eric Harrison / Alias : Houston Chronicle
Austin Powers in Goldmember is a cinematic car wreck, a catastrophic collision of tastelessness and gall that nevertheless will leave fans clamoring for another ride.

Name : Lisa Schwarzbaum / Alias : Entertainment Weekly
Mike Myers and Austin Powers may stick to their old Beatle boots, but they've both come a long way, luvvy.

Name : Bill Muller / Alias : Arizona Republic
The result plays like a series of skits, but the gags are so funny that it works anyway.

Name : Mike Clark / Alias : USA Today
The Powers team has fashioned a comedy with more laughs than many, no question. But this time there's some mold on the gold.

Name : Michael Wilmington / Alias : Chicago Tribune
A shapeless, derivative-but-funny show.

Name : Craig D. Lindsey / Alias : Village Voice
The movie meanders (Perkins seems as distractingly lost as Frost), but it can stir real sympathy.

Name : Geoff Pevere / Alias : Toronto Star
This is a movie that's trying in too many senses of the word.

Name : Stephen Holden / Alias : New York Times
When a movie is as down-and-out funny as Austin Powers in Goldmember, it's easy to overlook the missed opportunities and fizzled jokes littering the barrage of hilarity.

Name : David Edelstein / Alias : Slate
It's an ode to indecent joy.

Name : Todd McCarthy / Alias : Variety
The laughs are here, to be sure, although even some of the best of them are retreads and the Swinging '60s recycling act is now feeling a bit past its zeitgeist prime.

Name : Carrie Rickey / Alias : Philadelphia Inquirer
Despite the firecracker energy of Beyonce Knowles, on hand as Foxxy Cleopatra, a tribute to bootylicious blaxploitation babe Pam Grier, the film is almost a complete fizzle.

Name : Terry Lawson / Alias : Detroit Free Press
The '60s satire that made the first movie such a hip trip is now just so much polka-dotted wallpaper; the jokes are now almost exclusively confined to orifices and excretions.

Name : Roger Moore / Alias : Orlando Sentinel
The whole enterprise collapses from exhaustion about two-thirds of the way through. Still, a staggering number of the gags that Myers and Co. fling against the screen stick.

Name : Eleanor Ringel Gillespie / Alias : Atlanta Journal-Constitution
The reason this picture works better than its predecessors is that Myers is no longer simply spoofing the mini-mod-madness of '60s spy movies.

Name : Connie Ogle / Alias : Miami Herald
The Austin Powers films have never, ever been anything approaching high-brow, but the uneven Goldmember seems to take a big step toward the extremely juvenile, with more scatological and fewer sex jokes.

Name : Neil Young / Alias : Hollywood Reporter
Sometimes all a documentary needs is one strong, charismatic personality to keep things watchable: Garnet's Gold boasts two in the form of the middle-aged eponymous protagonist and his feisty octogenarian mother.

Name : Kenneth Turan / Alias : Los Angeles Times
Myers' idea of a movie turns out to be similar to Ed Sullivan's idea for a variety show: Toss in a little bit of everything and hope for the best.

Name : John Anderson / Alias : Newsday
Goldmember is funny enough to justify the embarrassment of bringing a barf bag to the moviehouse.

Name : Susan Stark / Alias : Detroit News
Austin and Dr. Evil remain the most inventively detailed characters played by the franchise's star, guiding light and principal beneficiary. He's cheerful and energetic as ever.

Name : Andrew Sarris / Alias : New York Observer
It's all amateur-night vaudeville and movies within movies that degenerate into total inanity.

Name : Charles Taylor / Alias : Salon.com
Structurally and formally, Goldmember is a mess. What saves it is that Myers possesses in spades the thing that's crucial for comedy: an absolute lack of embarrassment and the willingness to go with his gut instinct.

Name : Guy Lodge / Alias : Variety
An impressively disciplined, occasionally transporting debut feature from globe-trotting American helmer Brian Perkins.

Name : Liam Lacey / Alias : Globe and Mail
Even if the gag-to-wince ratio isn't high, there are enough punchlines thrown here to make a sphinx smirk.

Name : Clarence Tsui / Alias : Hollywood Reporter
Golden Kingdom's theological backbone is fleshed out by a warm and endearing portrayal of its characters' childhood innocence.

Name : Paul Clinton (CNN.com) / Alias : CNN.com
It's amusing, but you may find that you're over it.

Name : Richard Roeper / Alias : Ebert & Roeper
I think this is the funniest of the three movies and I liked the first two.

Name : Peter Travers / Alias : Rolling Stone
All praise to Michael Caine, who plays Austin's studly spy daddy, Nigel, and to Beyonce Knowles, who turns on Pam Grier sass as agent Foxxy Cleopatra. But hit-and-miss skits trying to pass as a coherent time-traveling plot reduce them to bystanders.

Name : Stephen Hunter / Alias : Washington Post
The level of inventiveness remains high.

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